Frowzy Indulgences

"I ain't got no culture, nothing. Dirty words, but that don't count."

Glorifying Unhealthy Eating Habits in Skinny Women

randomlancila:

effasinfat:

jennylewren:

Anyone who’s spent a fair amount of time living in a fat body understands that when you’re eating something you become hypervisible. That the people around you will scope what you’re eating and cast judgement on you. Often times you can be served the wrong order in restaurants. And sometimes friends or relatives might even make you special “healthy” plates because they are “concerned” for your health. 

And I’m becoming increasingly frustrated by television featuring skinny women who eat copious amounts of junk food and are deemed sexually attractive for it.

Because it’s just thin privilege in action. A fat girl on a television show will be teased and mocked mercilessly for eating large amounts of food or junk food, but if a woman is thin and attractive it distinguishes her as different from the majority of thin and pretty women, women who are portrayed as having birdlike appetites.

Not understanding how it fits into thin privilege? If you are thin, you have the freedom to eat whatever you want without judgement. In fact if you “eat like a fat girl” it’s highly likely that you’ll be deemed as even more attractive.


If you look like Winifred Burkle you will be described as: “A remarkable woman. Particularly the way you can shovel a mountain range of food into your mouth. That is some Olympian feat, that much eating”


If you look like Rory Gilmore, you’ll be able to eat a large amount of junk food and have men tell you that they enjoy the fact that you can eat, or: “half the fun in being with you is the horrified looks on the waiters’ faces.” 

But if you look like Lauren Zizes, the food you eat will define you and be used as comedic relief. You’ll be made fun of for eating an entire box of chocolates and other characters will make comments about you wanting your damn candy!” 

If you’re a fat girl eating a mountain of food, you’re not told you’re remarkable or that it’s charming. You’re told that you have no sense of self control and should be ashamed of yourself. You’re told that you’re a poster child for unhealthy lifestyles. You’re called names and probably told much more traumatizing things than I mentioned here.

I mentioned a long time ago that I think one of the reasons why our culture is paranoid about becoming fat and constantly trying to lose weight or demoralizing fat people is because most of society has unresolved issues with regard to their own sexuality. Humans are desiring of flesh, and the fact that fat people have more flesh which is the object their desire, can be deeply disturbing and a hard concept to grasp.

And the more culture I soak up, the more I think that it’s not just about flesh. Food isn’t just fuel for our bodies. Food can be an experience, a trigger for our memories, and an aphrodisiac. I think food plays a much larger role in human sexuality than we give it credit for. 

Too bad it’s only culturally okay for thin people to explore it.

Amazing.

bam.

(via thechocolatebrigade)

fckyeaharthistory:

Jacques-Louis David - The Death of Marat, 1793. Oil on canvas 

fckyeaharthistory:

Jacques-Louis David - The Death of Marat, 1793. Oil on canvas 

timemagazine:

For this week’s cover story by Joe Klein about the loss of his parents, we designed a graphically simple cover.
It marked the first time in more than a decade (spanning more than 500 covers), that only typography with no image appeared inside TIME’s iconic red border.
The headline ’How to Die‘ on a solid red background echoes the magazine’s iconic ’Is God Dead?‘ cover from April 8, 1966. That cover, which the L.A. Times named one of the 10 magazine covers that ‘shook the world,’ was the first type-only cover in TIME’s history.
It used a variation of the Bodoni typeface on a solid black background and was an extreme departure from the small, limited type treatments featured on the cover the previous 34 years.
To illustrate this week’s story, however, we stayed closer to our established visual language — the headline was set in Franklin Demi, one of our family of typefaces.
While we wouldn’t necessarily call it divine inspiration, several have drawn comparisons to the 1966 cover. And it’s certainly rewarding to know we can continue to uphold TIME’s storied 90-year visual history.
-By D.W. Pine and Skye Gurney

timemagazine:

For this week’s cover story by Joe Klein about the loss of his parents, we designed a graphically simple cover.

It marked the first time in more than a decade (spanning more than 500 covers), that only typography with no image appeared inside TIME’s iconic red border.

The headline ’How to Die‘ on a solid red background echoes the magazine’s iconic ’Is God Dead?‘ cover from April 8, 1966. That cover, which the L.A. Times named one of the 10 magazine covers that ‘shook the world,’ was the first type-only cover in TIME’s history.

It used a variation of the Bodoni typeface on a solid black background and was an extreme departure from the small, limited type treatments featured on the cover the previous 34 years.

To illustrate this week’s story, however, we stayed closer to our established visual language — the headline was set in Franklin Demi, one of our family of typefaces.

While we wouldn’t necessarily call it divine inspiration, several have drawn comparisons to the 1966 cover. And it’s certainly rewarding to know we can continue to uphold TIME’s storied 90-year visual history.

-By D.W. Pine and Skye Gurney

poboh:

Vase of Chrysanthemums, Andre Derain. French Fauvist Painter, Sculptor (1880 - 1954)

poboh:

Vase of Chrysanthemums, Andre Derain. French Fauvist Painter, Sculptor (1880 - 1954)

badesaba:

Mu’izz al ahrar fi daqaiq al ashkar (The Free Man’s Companion to the Subtleties of Poems) of Jajarmi - Ilkhanid period (1206–1353), Iran, Isfahan

Ink, opaque watercolor, and gold on paper

 This poem from an anthology of Persian poetry tells the story of the Moon as it enters the houses of all twelve Zodiac signs. In each vignette, the Moon is depicted as a figure holding a crescent that visits the personifications of each sign, here Aries (a ram) and Taurus (a bull). Taurus (al-thawr, “the bull”) is always shown as a bull with horns and a prominent hump on its back. Said the Wise Abu Ma’shar:

“Those born under this decade have a dark complexion with a tendency to redness. They have a small build, a large head, and a loud voice. Easily bored, they are interested in noble matters. They have a mark on their head and many smaller marks on their shoulders, feet, and legs. When they sit down, it becomes difficult for them to get up again. [For this reason], they do not sit down at night. Allah the Highest knows more…”

(metropolitan museum)

(via cabinet-de-curiosites)

sutured-infection:

Amputation of thigh and application of retractor, from W. P. Cocks’ Illustrations of Amputations, 1831

sutured-infection:

Amputation of thigh and application of retractor, from W. P. Cocks’ Illustrations of Amputations, 1831